Showing posts with label Freehand Design. Show all posts
Showing posts with label Freehand Design. Show all posts

Wednesday, October 5, 2011

How to Paint Snow With Watercolor


By 
Painting winter scenes with watercolor can be an enjoyable experience once you know how. The light shining on pure snow and the shadows, both form and cast shadows, give the painting a sense of depth and clarity. There are several ways to achieve a beautiful, snowy landscape.
To begin, wet both sides of your watercolor paper. (If you do not wet the back, your paper will curl when you paint the front.) Some artists prefer to soak the paper then tape it to a board when dry. Consider your light source and be consistent with it throughout your painting. Lightly sketch your scene on your dry watercolor paper. I find 140 lb. cold-pressed paper works well. You will need to spritz the back of you paper every so often as you proceed.
Determine where your form shadows; those found on an object itself, and your cast shadows; those cast beneath your object, will be placed in your watercolor composition. Allow for both hard and soft edges for interest.
Preserve some pure white paper for your brightest snow. The eye goes to white first. Make a light wash of Aureolin Yellow and paint some of your sunlit areas in your foreground with this. Keep it very light. Next paint a sunny section towards the middle with a light wash of Rose Madder Genuine. Light washes of pure transparent color may be added after these have dried. Let your painting help you to decide what it needs.
Drop in some cooler colors such as Cobalt Blue into your shadow areas. Mix some Rose Madder Genuine and Cobalt Blue together for a soft violet color. Add this to your shadow. Allow it to run and blend into your blues.
Now consider some options for making your snow sparkle. These include techniques such as spattering masking fluid, dropping in salt, and using a light-grade sandpaper. You may want to select just one of these, to avoid "over doing it." Although these techniques can enhance your watercolor, you will want your snow to appear natural. I will describe how to use each of these, and after practicing with them you decide which you prefer.
To mask out small specs of white in your snow, dip the ends of the bristles of an old toothbrush into masking fluid and flick with your thumb onto your paper. Practice this first on a piece of scrap paper to get a feel for it. Once your masking dots have dried they can be painted over. Once the paint has dried the masking fluid can be removed with an eraser or rubbing with your finger.
To give your snow sparkle with salt, experiment with the following. Paint an area of snow with a violet color and drop in some table salt while it is still wet. Allow this to dry then brush off the excess salt. See how you like the result of using this technique.
To use sandpaper as a tool, choose one area of your completed watercolor and firmly move the sandpaper across this section with one motion. Do not go back and forth with the sandpaper, as this can ruin the effect.

Painting winter scenes with watercolor can be an enjoyable experience once you know how. The light shining on pure snow and the shadows, both form and cast shadows, give the painting a sense of depth and clarity. There are several ways to achieve a beautiful, snowy landscape.
To begin, wet both sides of your watercolor paper. (If you do not wet the back, your paper will curl when you paint the front.) Some artists prefer to soak the paper then tape it to a board when dry. Consider your light source and be consistent with it throughout your painting. Lightly sketch your scene on your dry watercolor paper. I find 140 lb. cold-pressed paper works well. You will need to spritz the back of you paper every so often as you proceed.
Determine where your form shadows; those found on an object itself, and your cast shadows; those cast beneath your object, will be placed in your watercolor composition. Allow for both hard and soft edges for interest.
Preserve some pure white paper for your brightest snow. The eye goes to white first. Make a light wash of Aureolin Yellow and paint some of your sunlit areas in your foreground with this. Keep it very light. Next paint a sunny section towards the middle with a light wash of Rose Madder Genuine. Light washes of pure transparent color may be added after these have dried. Let your painting help you to decide what it needs.
Drop in some cooler colors such as Cobalt Blue into your shadow areas. Mix some Rose Madder Genuine and Cobalt Blue together for a soft violet color. Add this to your shadow. Allow it to run and blend into your blues.
Now consider some options for making your snow sparkle. These include techniques such as spattering masking fluid, dropping in salt, and using a light-grade sandpaper. You may want to select just one of these, to avoid "over doing it." Although these techniques can enhance your watercolor, you will want your snow to appear natural. I will describe how to use each of these, and after practicing with them you decide which you prefer.
To mask out small specs of white in your snow, dip the ends of the bristles of an old toothbrush into masking fluid and flick with your thumb onto your paper. Practice this first on a piece of scrap paper to get a feel for it. Once your masking dots have dried they can be painted over. Once the paint has dried the masking fluid can be removed with an eraser or rubbing with your finger.
To give your snow sparkle with salt, experiment with the following. Paint an area of snow with a violet color and drop in some table salt while it is still wet. Allow this to dry then brush off the excess salt. See how you like the result of using this technique.
To use sandpaper as a tool, choose one area of your completed watercolor and firmly move the sandpaper across this section with one motion. Do not go back and forth with the sandpaper, as this can ruin the effect.
Practice these techniques and decide which works best for you. I think you'll enjoy painting snow!
Article Source: http://EzineArticles.com

Monday, January 31, 2011

Pencil Sketches - A Popular Tool Among the Artists

By Murtaza Habib Platinum Quality Author
The aim of sketches is to record some valuable information for the study purpose in the long term. It's like a rough work of final product and it is a free hand drawing with many overlapping lines. Sketches are series of many disconnected lines that produce to develop an image. The tools used to create sketches are pencil, pen, watercolor, clays and many more. The most preferable painting tool is pencil by most artists from the day when graphite was found.
Here are some points that an artist needs to consider, if he wants to draw sketches using pencil...
1. Pencils: - The hardness of pencils varies from 2H to 6B.
H pencils are very hard pencils; the grades available in this kind of pencils are H, 2H and HB. B pencil are soft pencils, the grades available in this pencils are B, 2B, 3B, 4B, 5B and 6B. An artist can select the pencil grade by considering the different factors like atmosphere, paper quality, drawing subject, etc.
2. Sharpener: - Sharpener is very important tool while creating a sketch using pencils.
It helps to sharp the pencil wedge for the better quality of images, make sure that you do not sharp the pencil point.
3. Eraser:- It is a useful tool to remove extra lines or soften lines.
The best eraser for sketches is kneaded eraser. This eraser has a very soft and sticky surface that can easily remove graphite from the paper. The best feature of this eraser is, it will not create smudging. Plastic erasers are also used to remove the lines but the worst part is, they create smudging heavily.
4. Paper:- If you will use best quality paper then it will give you attractive image.
Make sure that the paper should not be totally smooth. If you use slightly rough paper, then it will give nice appearance to your sketch.

Article Source: http://EzineArticles.com